![]() ![]() … or as two eighth notes plus three eighth notes (ONE two THREE four five). ![]() For example, a rhythm in 5/8 will usually be felt as three eighth notes plus two eighth notes (ONE two three FOUR five) … Fortunately, irregular meters can typically be broken into simpler patterns. It’s hard to play in meters like 5/8 or 7/4. So let’s discuss how to think about them. Irregular meters can be useful, however, as alternatives to more typical meters like 4/4 or 3/4. After all, pop and rock are dancing music or derive from dancing music, and nothing kills a party like rhythms that are hard to dance to. You might find these irregular meters to be of limited use in writing pop or rock songs. The most common irregular meters feature a top number of 5 or 7. In irregular meters, beats do not divide evenly into groups of two, three or four. Irregular meters, also known as asymmetrical meters, are perhaps more difficult. Meters with a top number of nine have three beats, while meters with a top note of 12 have four.) ![]() (Meters with a top number of six are typically felt as two beats to the bar. They essentially boil down to two, three, or four beats per measure, with a dotted note getting the beat. Compound meters in particular can be difficult to notate, but you probably already understood them, either explicitly or implicitly, and could play in them before you started reading this site. Meters with a top number of 6, 9 or 12 (such as 6/8 or 12/8) feature beats that are divided into three parts rather than two, and are known as compound meters. Most pop songs are in one of these time signatures, with 4/4 being the most typical. Irregular MetersĬommonly used time signatures such as 2/4, 3/4 and 4/4 belong to a category known as simple meters. Also, many pop songs use unusual phrase lengths of three or five bars, or go further afield. Irregular meters, which include meters like 5/8 and 7/4, can be tricky to play, but can provide interesting new colors to add to your songwriting palette. ![]() The back beat is so universal that it almost seems silly to provide examples, but here are a couple for your reference.Most pop songs feature measures of two, three or four beats, arranged into phrases of two, four, or eight measures. In addition to the back beat, there will often be snare accents, but they will not feel as strong as the snare hits on beats 2 and 4. In almost every song in 4/4 time, there will be 2 snare drum hits per measure. For most pop applications, you’ll be dealing with either 4/4 or 6/8 time. What determines the length of a measure can vary depending on the time signature of a song, but generally speaking you’re going to be able to tell by the snare pattern. Some musical terms are so basic and widely used that we never stop to ask ourselves: “Hey, what is a measure? What is a riff? What is a phrase? What’s the difference between a bar and a measure?” This article should answer all of those questions for you and more.Ī bar is the same thing as a measure. ![]()
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